It is traditional to wear red to the family reunion dinner when celebrating the Lunar New Year. Red is considered a lucky colour, so I was excited when Maai Design started to stock Storrs London Fabric, and I came across the Hermia design in red. I love the big flowers drawn across a background of red with pops of highlighter blue-green and hot pink leaves. I knew it would match well with a boho inspired style dress which immediately brought to my mind the Roscoe Dress from True Bias. The dress has a gathered neckline with raglan sleeves. It also has a centre slit with neck ties. It’s truly such a pretty design. On the practical side, it’s lovely and cool to wear in summer when matched with the Hermia Storrs London fabric. The superfine 100% Egyptian cotton is billowy, loose, and cool to wear.
I made the size 8 for my measurements of 37-inch bust, 33-inch waist and 38-inch hips. Bohemian dresses are loose and made with freedom of movement in mind. The finished dress for my size was 48 inches around the chest which gives you some idea of the ease in the fit. There are three versions of the pattern, the first is a blouse which I’ll definitely be returning to sew, a tunic or short dress version and a midi version. I chose the short version which still falls just above my knees. I’m 5 foot 7, to give you some idea about the length of the dress.
Construction was very easy which was a relief because I was sewing to a deadline. The date of the Lunar New Year changes each year according to the cycles of the moon. It came around a lot earlier this year. The sewing went well, and it was a relief that it was so beginner friendly. I love to be challenged with my sewing but now was not the time!
No modifications were needed however, initially I had made the bottom ruffle pieces slightly longer thinking that I wanted to cover my knees. I found myself shortening them to the original length promptly. It was only an inch and a half but it really threw off the balance of the design. It was interesting that such a small detail could detract from the beauty of a design. I guess that’s why they say that, “…the devil is in the details”.
Nothing much more to add except that it felt special to wear a dress that I had made and it was a great hit. I think I mentioned on my Instagram Post that I need to hide this next time my mum comes over or I might be missing a dress. It was lovely and cool to wear and sewing it with such special fabric elevated the dress from casual to special occasion wear.
Kicking off the new sewing year with these Soline Culottes by Staystitch Pattern Co. has been a dream start! I was lucky enough to win this pattern by participating in the My Makes of the Month challenge hosted by Lou Sheffer of Sew Much to Design. This pattern promises to be, “… your new favourite wardrobe staple! They are effortlessly chic, comfortable, and stylish.” It delivers that in spades. I love the high waisted look with the wide leg profile of these culottes. It has the elasticised paper-bag waistband with drawstring which is so comfortable to wear. I love that the wide waistband sits just above the belly button. This helps to define the waistline and create a flattering shape. It can be styled in so many ways, but my favourite is to tuck a blouse into it. When the weather cools, it could also work well with a chunky sweater partially tucked in.
Constructing the Soline Culottes was so easy and enjoyable. The instructions from Staystitch Pattern Co were very comprehensive. It’s forty-five pages long but there were a lot of extras included and many pocket options. Most of all, I loved the order of construction. As a self-taught sewing enthusiast, this sort of pattern is very educational and the way the instructions have been written could be followed and completed by someone with very little experience.
I started the make with the selection of in-seam pockets. The other options for pockets were a gusseted pocket and patch pockets but I was looking to keep the front and back panels flat to highlight the paper-bag waistband. I really enjoyed the way the inseams were constructed as everything came together so well. Putting together the paper-bag waistband was the final stage and probably took most of my time but again, instructions were well written and logical. It was fun bringing it together.
Sizing was also easy with the positive ease built into the fit. I decided to make the size 10 as my hip measurement of 38 inches was closer to the size 10 fit of 41 inches. My waist measures 33 inches and the size 10 fits 31 inches. Figuring that my slightly larger waistline will be accommodated by the elasticised waistband and seeing that the finished measurements were 45 inches and 45.5 inches, this confirmed to me that the size 10 would be a good fit.
The fabric I chose was a beautifully soft lyocell linen blend from Spotlight Stores. It comes in 55-inch (140 cm) width and the colour is Brick. It’s a brown with a reddish hue, a lovely part of the colour spectrum. It is a heavier weighted linen so it’s great for a bottom piece. The lyocell in the blend gives it a super soft feel. I used just under 2 meters of the fabric.
This ticks off a first make from my Make Nine Challenge chart under “Casual Trousers”. I’ve decided to use my make nine slightly differently this year. I’ll include more details in a future post and on my Instagram @emsewhappy. Looking forward to another year of fun, learning and sewing.
Christmas holidays arrived and here in the Southern Hemisphere, we found ourselves in sweltering summer heat. Needless to say, it was too hot to be at the sewing machine but I managed to sew up the Reef Camisole and Shorts Set from Megan Nielsen Patterns. It was my final sew for the year just in time for my favourite time of the year. I’ve always loved the time after Christmas and the start of the new year where there is a quietness and a temporary lull to give us a bit of respite before the whirring of busy-ness begins again. It was a good time to finish making the Reef Set so I could have my pyjama day.
As usual, if you’re looking after a comprehensive sew-along, you should look at the Megan Nielsen Blog Site. This was my own sewing process. Before heading into that, I wanted to talk about the fabric that I used. I bought this lovely muslin from Spotlight Stores. It caught my eye because of the beautiful mustard colour and the pattern is reminiscent of a field of dandelions. Muslin is such a thin fabric; it’s often used for children’s clothing or baby wraps and for good reason. It’s soft, made of cotton and is such a breathable light fabric which is why I’ve thought to use it for summer pyjamas.
I remember when I had just started sewing, I tried to sew with muslin fabric. I ended up cutting it up for cleaning cloths because it did not even survive the first wash! The best way to prepare muslin fabric for sewing is to overlock the raw cut edges before washing on the cool cycle. This preserves the integrity of the muslin fabric which has a loose weave otherwise you would risk your washing machine unravelling some of the thin fabric. After washing, I gave it a light iron and went on the cut out the pattern pieces. Another beginner tip is to check your needle. I made sure I had a 10/70 needle to ensure that I wouldn’t damage the delicate fabric.
Starting with the camisole, which is cut on the bias, watch that you don’t handle the fabric too much and lay it flat as it will stretch if you hang the fabric before sewing. I also made sure to staystitch where needed as this helps to stabilise the fabric. I love the look of bias-cut garments as it drapes beautifully especially with silky materials.
The crossover back yoke is the distinguishing feature of this camisole. It’s a really satisfying construction. It’s also so comfortable to wear. I’m tempted to sew this camisole as a top if I can find the right fabric like silk. Once the crossover back yoke is completed, it comes together very fast. Topstitching the neckline and armscye was my own addition to help secure this fragile fabric. I tend to wash everything in the machine and have little time for hand washing so this will go a long way of preserving my Reef Set. I also secured the facing by stitching in the ditch at the side seams and stitching down the back panel.
Onto the shorts, I made the View B option which is the mid-rise. The hemline is curved and again an interesting construction with the attachment of facings. It elevates the piece from basic elasticised waisted shorts to luxurious summer pyjamas shorts. It doesn’t stop there; it also has pockets!
A quick note on sizing, I made the size 12 for my measurements of 37-inch bust, 33-inch waist and 38-inch hips. The sizing was a great for the shorts, but I could sew up a size for the camisole top. The camisole has very narrow seams except for the side seams which returns to 5/8 inch. I narrowed the side seam to allow more room in the armscye. It still fits me in the size 12 but there are some horizontal fold lines where the front straps meet the bust line. The other option would be to make a full bust adjustment but I would also like to lengthen the camisole so I feel the best option would be to size up.
Now that the busy Christmas holiday period is over and we have turned over to the New Year, I have a few days of lounging around in my newly minted pyjama set. I’m really enjoying my new book which is the second book by Named Patterns titled, “Building The Pattern”. This is my first sewing book and it’s a gem.
Thank you for reading and wishing everyone a Happy New Year!
Getting more experience with sewing trousers has been high on this year’s agenda so when Maai Design contacted me about their Cotton Lyocell Drill, I took it as a sign and jumped in. I received a beautiful package from Maaike, with all it’s personal touches. When I opened the package and felt the fabric for the first time, I was surprised at how soft the Cotton Lyocell Drill felt. Drill is usually a lot coarser and associated with workmen’s clothes, but with the blend of Cotton and Lyocell, it’s still really strong but has a softer feel. It also felt a bit more lightweight than the usual full cotton drill. Back when I had just started sewing, buying fabric online was quite overwhelming. Maai Design has a very easy website and best of all, there are YouTube videos accompanying each type of fabric. You can find out more about the Cotton Lyocell Drill here.
Feeling how lightweight this Cotton Lyocell Drill was, I was tempted to make another Kalle Shirtdress or Pietra Wide Leg Pants, but I had the Palisade Pants from Papercut patterns in my stash. I was excited to try sewing those unique pockets and I wanted the challenge of a closer fitting pair of trousers.
The first step in any sew is to wash the fabric. Being made of natural fibre, I made sure it was washed and dried on a cooler cycle. There wasn’t any obvious shrinkage or any loss of this beautiful pale mint blue colour. I love the colour-ways of the Cotton Lyocell Drill in the Maai Design collection! There are nine altogether and it was very hard choosing but I think this mint blue is great for the summer.
When it was time to cut, I made sure that all my pattern pieces were running the same way, paying close attention to the grainline because drill has a diagonal weave. Drill has a smoother side and a side where you can see the diagonal weave more obviously. Most people would consider the smoother side the wrong side of the fabric, so I just put a pin on the wrong side to make sure that I didn’t accidentally mix this up! Cutting the Cotton Lyocell Drill is very beginner friendly. It doesn’t shift like rayon, and it doesn’t fray like double gauze. I would say, it’s a great fabric for beginners.
At the sewing machine, I just made sure my machine had a 90/14 needle in situ. I then checked to see that I was using a stitch length of 2.5mm. The next thing to note is that the seams of the Palisade Pants are sewn at 1cm not the usual 5/8 inch. Once all the various interfacing pieces were attached, I started to put together the pocket pieces. I found that the fabric was a bit bulky once each of the pocket bag pieces were layered so it was better to use these quilters clips. (They’re also handy for delicate fabric where you don’t want to pierce the fabric). Piecing together the pocket requires a lot of accuracy so I ironed at each stage to get crisp lines.
Once I worked out the pocket bags and how to attach that to the side leg panel, the rest came together quite quickly. I attached the back panel piece and then the back waistband. This part had me a bit worried because I didn’t know if the Cotton Lyocell Drill would tolerate the partly elasticised waistband. I was afraid it would have that puffed up look that some lounge pants have with elasticated waists, but to my relief, because it has a little bit of drape, the fabric sat flush when the elastic was inserted. The rest of the sew went smoothly, and as usual, papercut pattern instructions were great to follow.
Some sizing notes, I made the size 5 to fit my 33-inch waist and 38-inch hips. When I first pulled on the Palisade Pants, I noticed that I was getting a few horizontal folds in the front and some bagging out along the front panel. I’m a real novice when it comes to pant fitting, but it was curious because I had toiled this before making. (Apologies for not taking photos of these fitting issues).
I was using thrifted fabric for my toile so there were two factors I forgot to take into account. Firstly, there is no stretch in the Cotton Lyocell Drill. Secondly, in my toile, I did not make up the full pocket bags which probably took up more of the ease leaving me with not enough ease around my hips. To adjust the fit, it was an easy case of letting some of the seam out at the hips. The flaring at the front was also simply solved. I realised when I looked closer at the pictures on the pattern that the length of the trousers was slightly cropped at the ankle. So, I removed an inch and a half from the bottom of the hem which made it sit better.
Overall, sewing with the Cotton Lyocell Drill was an eye opener. Maai Design has stocked it in a beautiful array of fun colours. It’s a finer quality drill which is lighter weight than normal drill and it has a softer feel which is great against the skin. My Palisade Pants will be getting a lot of wear in summer! It’s soft and breathable and doesn’t wrinkle as easily as linen.
Thanks for reading and happy sewing!
Full Disclosure: The Cotton Lyocell Drill fabric was kindly gifted to me in exchange for posts on Instagram and a blog post however all opinions expressed are my own.
First of all, I’d like to say that I love the design of the Grace Dress as it is. The Grace Dress is a result of the creative collaboration of Taree Marsh of Masha Style and Abby Huston of Abby Sews. You can see my previous version of the Grace Dress on the blog. I have finally got some holidays coming up and I wanted something that will be good to wear with the current changeable weather. I love how the pinafore can be paired with a t-shirt or tank top for warmer days or a long-sleeved shirt or turtle neck for cooler days. It’s such a versatile garment. So, when I came back to sew Version A of the Grace Dress, it occurred to me that it could easily be hacked into a pinafore.
Before I get into the hack, have you ever thought about personalising your garments with a bit of embroidery? On a whim, I thought I would try it. Embroidery isn’t as difficult as I thought it would be. I’m definitely hooked so I’ll be putting together a bit of a “how-to” in the future. Make sure you don’t miss out by tapping on the follow button for future blog posts!
Basically, the pinafore was invented as a protective garment for your dress. It was like an apron that could be worn over your “good” clothes. Very practical at a time when washing your clothes (especially heavy dresses) meant hard labour and was done with muscle power not a machine. Of course, that application no longer applies and we’re now lucky enough to be able to do our laundry by pressing a few buttons. As mentioned earlier, I like the pinafore for its versatility as a garment.
Okay, I started the hack by thinking about the front bodice neckline and the armscye. It is usually worn over another dress or shirts so there needs to be enough room to fit over whatever is worn underneath. So, I started by scooping out the neckline and the armscye. The neckline was deepened by two inches and I graded back to the curve to make sure that the neckline was not widened with that.
The armscye was a bit more difficult. I was a bit fearful at first and made quite a shallow cut. Probably only deepening it by 1.5 inch but I later deepened this leaving 4 inch from the bottom of the bodice. I realised that the deepened “arm opening” was quite a distinct feature of the pinafore. Now that I had deepened the armscye, it is natural that the dart was no longer required. It’s important to meet the back armscye with the front so I went ahead and matched that up.
Essentially that was the only modification needed! I told you it was simple. Version A of the grace is fastened by these cute ties on the shoulders. I’ve sewn them together so they stay fastened without any risk of unravelling. It would also be cute to do the buttoned version of the shoulder strap!
I first made the Romy Wrap Top from Pattern Scout last year when I had only been sewing for about 6 months. It’s a testament to her fantastic instructions that I could make such a beautiful top with my rudimentary set of sewing skills. I’ve since also sewn the dress version as well. The Romy Wrap dress is uniquely fastened with buttons and has a slender silhouette.
This time, I wanted to use the pattern to make a maxi dress with the sleeve expansion that was released for the pattern. I’ve been seeing a lot of ground skimming, floor length dresses inspired from the sixties. I found a beautiful rayon crepe from Spotlight Stores which had a beautiful field-of-poppies print in a mix of clementine and yellow on a field of green. Rayon crepe is beautifully sheer with a slight texture. It also has some weight to it, so it has a beautiful drape which just skims over the body in the most flattering way. However, it has a bit of “bounce” so if you’re a beginner like me, just be careful not to stretch the fabric as you’re sewing. Also, when cutting, it might be better to use a rotary cutter especially for tricky curves. My final tip is not to skip the stay stitching (don’t learn the hard way!)
There is a very comprehensive tutorial on the Pattern Scout Blog as well as a YouTube video so have a look there when you sew along but this is an account of my sewing process.
Firstly, I needed to lengthen the skirt piece. I didn’t have a firm idea of the extra length needed but I estimated about 10 inches and lengthened from the hem grading the curve as I approached the waistline. This was repeated for the back skirt piece as well.
Then I went ahead and added the stay stitching around the neckline and the armscye as well as all the tucks on the front and back bodice pieces.
I also wanted to add another tip, which is to iron as you go. It just neatens the seamlines which can get a bit wavy with this bouncy fabric.
Once I attached the skirt pieces to their corresponding panels, I then pinned and attached the front interfaced facings. The corner was a bit tricky, so I just sewed slowly and I found it easier to sew with the interfaced side up.
The next step was to sew on the yoke. The yoke is the piece that attaches the front panels to the back bodice and skirt. The instructions are very detailed, and I just followed them but I have heard that other people have used the “burrito” method which I have also used in other patterns. Maybe this is something I could try in the future but with my lengthened skirts, it could be too bulky.
Now, getting the sleeves on was initially confusing because I kept getting extra fabric and I thought I had cut the wrong size. But when I compared the expansion pack instructions to the initial pattern, I realised that there was a bit of instruction missing. In the original, the sleeve is gathered along the yoke seam and don’t worry, I’ve contacted Casey at Patternscout so she knows. So happily, with this sorted, I could attach the sleeves and finish them. I love bishop sleeves for the fullness in the cuffs.
The final part was to finish the hems before making buttonholes for the buttons. Now, I always must resist sewing up the hem too soon. With fabrics that have a bit of stretch, or with dresses cut on the bias, the dress should be allowed to hang on a hanger or dummy for at least a few hours. I had to trim the hem to even up the hemline before sewing up.
This is the Meridian Dress Mark II. I have already shared my previous version of this lovely dress, but I just wanted to share another one as I’ve sewn a version with sleeves, which is as intended by the original pattern from Papercut Patterns. Because I had made a toile, this did not take much time to sew up.
The fabric I’ve used is a Tencel Twill fabric that was snapped up at the Megan Nielsen in-store sale back in June. I was assisted by Belle (she models the curve range and blogs on the Megan Nielsen site) who was so helpful and lovely. I had already earmarked the Meridian Dress to sew but was looking for the right fabric. She brought out the Tencel Twill which had the drape I was looking for and of course, the dusky pink colour is so beautiful and hard to resist. When I bought ready to wear, I never really thought much about fabric. Of course, I enjoyed the colour and the pattern as well as the feel of the fabric but never really investigated what would match a certain design.
So, what is Tencel? I was so surprised to find out that Tencel is made from wood pulp! Such a bonus to know that it’s a natural fibre. It’s also known for being breathable and highly absorbent so it’s great for any season being cool for summer and warm in winter. Wait, there’s more! Apparently it’s stink proof because bacteria can’t stick to its smooth surface.
I used 2.5 meters of fabric to make my Meridian Dress. Again, I made the size 4 and the only adjustment was to shorten the sleeves to ¾ sleeves. The wrap front bodice does give a lot of ease in the fit so definitely stick to the suggested sizing. If I were to make it again, the only minor adjustment that I would make is a full biceps adjustment. I always forget this and have sadly experienced “dinosaur arms” but it’s not too bad on this so I’ll leave it as is.
Oh! And, can I just make special mention of my invisible zipper installation! I’m so much happier with this. Comparing between my first and second make there has been 100 percent improvement. I always tell my kids that practise makes progress!
How is it the end of October already? The Matilda Dress caught my eye in the recent re-release by Megan Nielsen Patterns. I loved the version with sleeves, and I felt that it would be a great dress for the autumn or spring seasons where you can have warm days and cold nights. This has been a bit of a marathon sew and like all marathons, some parts were challenging but it felt like a satisfying achievement in the end.
The challenges mainly came from the fabric I chose. Firstly, the fabric I chose was a cotton blend linen but the weight of it might have been too heavy. Secondly, the fabric was a bit shifty. I think the weave must have been quite loose and without a walking foot, the fabric shifted quite badly when sewn. The loose weave also meant that the fabric frays quite easily. Next time, I will be looking to sew the Matilda with shirting fabric as suggested in the pattern! Despite this, I do love this soft fabric and as it’s slightly thicker, it will be getting a lot of wear until the weather warms up properly.
Okay, so onto the features of the Matilda Dress. Basically, I would describe it as a fitted shirt dress. It has two types of pockets, a yoke, collar with collar stand, has a waistband and princess seams. It was so interesting to have so many features in a dress and I was so grateful for the clear tutorials included with the pattern. I needed to refer to it when I was sewing the breast pockets and pocket flaps. I also referred to it again when I was installing the collar and the collar stand. I find that every time I’ve sewn a Megan Nielsen pattern, I learn something, and my skill level grows.
For my measurements of 37:33:38, I sewed the Size 14. No modifications were needed. Interestingly, in the past I’ve usually sewn the size 12 from Megan Nielsen Patterns but the size 14 fits better. I can still wear my other dresses made in the size 12 so I’m not sure if there have been some changes in the drafting? If you know then comment below.
I managed to get all my pattern pieces from a 3-meter length fabric (I think it was 130cm in width). There were a lot of pieces, so I spent quite a lot of time playing pattern piece Jenga! The linen fabric was from my stash which was why I wanted to spend the time fitting all my pieces in.
I’m not sure I’ve mastered this pattern yet. It will definitely need revisiting in the future but I’m happy to have made the attempt!
“Cottage core” is a term that I was introduced to by my daughter when I started to point out these beautiful dresses reflective of an idyllic rural lifestyle which have recently become more popular since last year. I’ve read that it’s society’s reaction to recent global events, making a wholesome, clean lifestyle more attractive. The Grace Dress definitely falls into this category with its vintage vibes. It’s what you imagine wearing if you had a field to roam in carrying a basketful of wildflowers with a backlighting of sunshine (inspiration for my picture).
The Grace Dress is a collaboration between Taree from @marshastyle and Abby from @abby_sews. When they started promoting this, I immediately saved it and waited for the much-anticipated pattern release. I’ve sewn the View B of the dress which has a multi-tiered gathered skirt, buttoned shoulder straps and a casing for some waist-ties (very flattering). Oh! I also have to mention that it has generous pockets!
I made the size 8 with my measurements of 37 Bust, 33 Waist and 38 Hips. It has a great size range from 31:24:34.5 to 59:52:62.5 and after saying that I usually try to make a toile in my last blog post, I must confess that I just went straight into it without a toile with this sew because of the ease in finished garment. I’ve used this mustard yellow gingham fabric from Spotlight Stores. Gingham adds to that idyllic county aesthetic that I wanted with this dress.
To start the sew, I prepared the straps and put together the bodice. Pretty standard construction with darts for the bodice. I used a white muslin for the lining pieces. The Grace Dress Pattern has lovely instructions for French seams, but I decided to finish with an overlocker.
When you move onto the skirt, you’re putting in the pockets from the side seams. As mentioned above, I’ve decided to use an overlocker to finish my seams. To do this, I neaten my pocket pieces and neaten the skirt side seams on my overlocker. Then I attached the pocket pieces to the skirt pieces – make sure you keep the paired pocket pieces on the same side and be careful that you have the pocket markings at the same level for the front and back skirt pieces otherwise you’ll be frustrated by wonky pockets.
Skirt pieces are then gathered, and the longer bottom tier is attached to the top tier of the skirt. Now, how long is too long? This is a pattern made for 5’7 height which I did not modify. I really wanted a maxi dress and crave that swishy feel of a long skirt.
The most interesting part of the dress in View B is making this channel for waist ties. Skinny straps and ties are the bane of my sewing life. Yes, I have a loop turner. No, it doesn’t make it any easier. Yes, it still took me about an hour and a lot of swearing. Anyway, that doesn’t take away from this interesting little feature. This little feature sets it apart of from other tiered dresses as it cinches the fabric in at the right spot to make a very flattering silhouette. I chose to hand baste the lining before using the stich-in-the-ditch method to finish.
The final part was to sew the buttons in to finish the shoulder straps. In my initial try-on of the dress, I realised that I have slightly sloping shoulders which made the straps gap quite badly. After some thought, I decided to sew the straps on a slight angle which also ensures that there won’t be any wardrobe mishaps. I’ve still attached the button as I had already sewn the buttonholes.
Here are some close-ups of the beautiful Grace Dress!
With the onset of spring here in Perth, I thought I would tackle The Meridian Dress by Papercut Patterns which has been on my Make Nine Sewing Challenge List. The dress has a beautiful silhouette with an easy to fit wrap front. I jokingly told a friend that I was making this dress to go to dinner parties with because the wrap front makes it easy to adjust for a full belly! But actually, it really does work to make it a very comfortable dress to wear. Like most women my dress size can go between two sizes in one month – I work in women’s health and this is a common complaint. This is also often why we’re sometimes caught out with, “nothing to wear” when a last minute event pops up and we haven’t had a chance to check the current fit of a “going out” outfit.
I’ve sewn the size 4 for my measurements of 37 Bust, 33 Waist, 38 Hips. The finished measurements range from B34.6:W24.4:39.2 to B51.2:W40.9:H55.7. No adjustments were needed for my sew. The front wrap bodice had a very interesting construction and the main thing to watch out for is the attachment of the front bodice to the skirt. There is a chance of a hole if you miss catching the panels of fabric where the wrap meets so just go slowly and I also hand basted that part with a coloured thread to make sure I wouldn’t miss it.
The fabric I used was a thin polyester crepe which was a beautiful green with small flowers. I chose it because of the wrap front. I felt that a bulky fabric might spoil the silhouette. This also meant that I had to modify how the facing was sewn. It was attached in the usual way at the neckline and zipline, but I didn’t sew down three inches from the edge. Instead, I stitched in the ditch at the waistline and the shoulder seams.
Also, I think it’s time I invested in an invisible zip sewing foot. I’m still attaching mine with a normal zipper foot and I found it a bit difficult this time. It might have also been the needle as I was using a 70/10 for the fine, delicate fabric but perhaps should have sewn the zip with a heavier needle. Do you change your needles when sewing? Comment below. Anyway, it came together in the end and I love the back view of this dress. I’m hoping to find a prettier button for the dress in the future.
So, this is actually my wearable toile for this pattern. Sometimes I toile with spare cheaper thrifted fabric and sometimes I dive in with a cheaper fabric that’s wearable but I try to always toile. This fabric was a real bargain at $9 per meter from Spotlight Stores so I bought about two meters. I only had enough for the dress without sleeves which I’ve ended up really liking. I wear cardigans all the time, even in summer so sleeveless is often more comfortable for me. I will be making this dress again and I will be attaching the sleeves in the next one. To finish the armscye, I made some bias binding. It’s such a satisfying process!
The Meridian Dress is such a flattering, elegant dress and I’m definitely giving it 10/10 for design and instructions. A very satisfying sew and good for an advanced beginner.